Showing posts with label Jake Gyllenhaal. Show all posts
Showing posts with label Jake Gyllenhaal. Show all posts
Wednesday, January 14, 2015
Oscar Nominations Predictions
The big question this year is Selma. Much has been made about its lack of love by awards bodies so far. Screeners weren't sent. It opened too late. Paramount's priority was Interstellar. I think it boils down to the obvious, people who vote for these things just don't care that much for the movie. They might admire what it says about the Civil Rights movement or its relevance to what's happening around; but there's no passion to vote it best of the year. I'm thinking it gets Best Pic and Best Song.
Elsewhere I excpect Ralph Fiennes to make it instead of Steve Carrell/David Oyelowo/Bradley Cooper. Jennifer Aniston will be an Oscar nominee and AMPAS will continue ignoring Marion Cotillard's superior career post her 2007 win.
I'm predicting that Emma Stone, Benedict Cumberbatch, Michael Keaton and Wes Anderson will become Oscar nominees for the first time while Meryl Streep will get her 19th nomination.
Pedictions I'm not sure of include Wild for Adapted Screenplay, Morten Tyldum for Directing, Rene Russo for Supporting Actress and Timbuktu in Foreign Language Film.
Best Picture
01. American Sniper
02. Birdman
03. Boyhood
04. Gone Girl
05. The Grand Budapest Hotel
06. The Imitation Game
07. Selma
08. The Theory of Everything
09. Whiplash
Best Directing
01. Alejandro González Iñárritu, Birdman
02. Richard Linklater, Boyhood
03. Wes Anderson, The Grand Budapest Hotel
04. Morten Tyldum, The Imitation Game
05. Damien Chazelle, Whiplash
Best Actor in a Leading Role
01. Michael Keaton, Birdman
02. Ralph Fiennes, The Grand Budapest Hotel
03. Benedict Cumberbatch, The Imitation Game
04. Jake Gyllenhaal, Nightcrawler
05. Eddie Redmayne, The Theory of Everything
Best Actress in a Leading Role
01. Jennifer Aniston, Cake
02. Rosamund Pike, Gone Girl
03. Julianne Moore, Still Alice
04. Felicity Jones, The Theory of Everything
05. Reese Witherspoon, Wild
Best Actor in a Supporting Role
01. Edward Norton, Birdman
02. Ethan Hawke, Boyhood
03. Mark Ruffalo, Foxcatcher
04. Robert Duvall, The Judge
05. J.K. Simmons, Whiplash
Best Actress in a Supporting Role
01. Emma Stone, Birdman
02. Patricia Arquette, Boyhood
03. Keira Knightley, The Imitation Game
04. Meryl Streep, Into the Woods
05. Rene Russo, Nightcrawler
Best Writing (Original Screenplay)
01. Birdman
02. Boyhood
03. Foxcatcher
04. The Grand Budapest Hotel
05. Nightcrawler
Best Writing (Adapted Screenplay)
01. Gone Girl
02. The Imitation Game
03. The Theory of Everything
04. Whiplash
05. Wild
---
Best Animated Feature
01. Big Hero 6
02. The Boxtrolls
03. How to Train Your Dragon 2
04. The LEGO Movie
05. The Tale of Princess Kaguya
Best Foreign Language Film
01. Ida
02. Force Majeure
03. Leviathan
04. Timbuktu
05. Wild Tales
Best Documentary Feature
01. CITIZENFOUR
02. Last Days in Vietnam
03. Keep On Keeping'On
04. Life Itself
05. Virunga
---
Best Music (Original Score)
01. Gone Girl
02. The Grand Budapest Hotel
03. The Imitation Game
04. Interstellar
05. The Theory of Everything
Best Music (Original Song)
01. "Lost Stars", Begin Again
02. "I'm Not Gonna Miss You", Glen Campbell: I'll Be Me
03. "Everything Is Awesome", The LEGO Movie
04. "Mercy Is", Noah
05. "Glory", Selma
Best Film Editing
01. Birdman
02. Boyhood
03. The Grand Budapest Hotel
04. The Imitation Game
05. Whiplash
Best Cinematography
01. Birdman
02. The Grand Budapest Hotel
03. Ida
04. Mr. Turner
05. Unbroken
Best Art Direction
01. The Grand Budapest Hotel
02. The Imitation Game
03. Interstellar
04. Into the Woods
05. Mr. Turner
Best Costume Design
01. The Grand Budapest Hotel
02. The Imitation Game
03. Into the Woods
04. Mr. Turner
05. Selma
Best Makeup
01. Foxcatcher
02. Guardians of the Galaxy
03. The Grand Budapest Hotel
Best Sound Mixing
01. American Sniper
02. Birdman
03. Into the Woods
05. Unbroken
06. Whiplash
Best Sound Editing
01. American Sniper
02. Guardians of the Galaxy
03. The Hobbit: The Battle of the Five Armies
04. Interstellar
05. Unbroken
Best Visual Effects
01. Dawn of the Planet of the Apes
02. Guardians of the Galaxy
03. The Hobbit: The Battle of the Five Armies
04. Interstellar
05. Transformers: Age of Extinction
Friday, October 31, 2014
Short Notes on Whiplash, Birdman and Nightcrawler
Here are shorts reviews of the last three movies I watched.
Whiplash
I was not looking forward to this movie. Thought it would be a hyper masculine, "what it means to be a man"story. I was burned pretty bad by a few of those. Yes I'm looking at you Lone Survivor and Out of the Furnace. And yes it was exactly that, but I loved the shit ot of it, and that's mainly because of Miles Teller. What an actor; he grounds the story in a nakedly emotional place that is a joy to watch and react to. He's a student drummer trying to become great while being bullied by his profanity spewing teacher (J K Simmons). Teller, who was also great last year in The Spectacular Now, is going to have a long career.
Birdman
I saw Birdman twice. First I wasn't impressed. I was too distracted by the intruding jazz score that I could not get into the story. I went back because I've liked every movie Alejandro G Innaritu has directed and because I suspected I might have missed something. Stories about actors are totally in my wheelhouse. And yes I liked it much better the second time around. Mainly a story of an actor in crisis about his position in the world and his legacy; its ideas about the pull between art and commerce are simplistic and nothing new. However the actors are great. And of course you've heard about the one take gimmick. That's pretty great too and definitely new and opens the story in spectacular ways allowing the scenes to breathe and the dialogue to settle. Michael Keaton in the lead is good and is matched mano a mano by an excellent Edward Norton as his nemesis. My two favorite scenes were when they both try to one up the other by showing what great actors they are. I wish the women had much to do. More women than men in this movie but they literally play : girlfriend, girfield, ex-wife, daughter and crazy old bitch critic. I enjoyed it more the second time once I accepted its heightened flights of fancy that were hard to swallow first time around. Fun but not profound.
Nightcrawler
Easily my favorite of the three. An insightful satire about the false American values of striving for success, it is also a hugely entertaining movie. The movie is bolstered by a bristiling committed performance by Jake Gyllenhaal as a man desperately needing success who finds work as a LA gonzo reporet specializing in videotaping crime scenes. He's matched by an on fire Rene Russo as a TV news reporter. They both come blazing at each other and a fantastic scene where they match wits is so good people will be talking about it after the movie ends. A lot of the drivel Gyllenhaal's character spews reminded me of many a nighmarish conversation I had in the hallways of corporate America. It sent a shiver down my spine. Nightcrawler brilliantly succeeds at what The Wolf of Wall Street tried to do last year; provide a biting critique of some of the values that make us lose our way. And in 2 hours no less; no excess with this movie.
Whiplash
I was not looking forward to this movie. Thought it would be a hyper masculine, "what it means to be a man"story. I was burned pretty bad by a few of those. Yes I'm looking at you Lone Survivor and Out of the Furnace. And yes it was exactly that, but I loved the shit ot of it, and that's mainly because of Miles Teller. What an actor; he grounds the story in a nakedly emotional place that is a joy to watch and react to. He's a student drummer trying to become great while being bullied by his profanity spewing teacher (J K Simmons). Teller, who was also great last year in The Spectacular Now, is going to have a long career.
Birdman
I saw Birdman twice. First I wasn't impressed. I was too distracted by the intruding jazz score that I could not get into the story. I went back because I've liked every movie Alejandro G Innaritu has directed and because I suspected I might have missed something. Stories about actors are totally in my wheelhouse. And yes I liked it much better the second time around. Mainly a story of an actor in crisis about his position in the world and his legacy; its ideas about the pull between art and commerce are simplistic and nothing new. However the actors are great. And of course you've heard about the one take gimmick. That's pretty great too and definitely new and opens the story in spectacular ways allowing the scenes to breathe and the dialogue to settle. Michael Keaton in the lead is good and is matched mano a mano by an excellent Edward Norton as his nemesis. My two favorite scenes were when they both try to one up the other by showing what great actors they are. I wish the women had much to do. More women than men in this movie but they literally play : girlfriend, girfield, ex-wife, daughter and crazy old bitch critic. I enjoyed it more the second time once I accepted its heightened flights of fancy that were hard to swallow first time around. Fun but not profound.
Nightcrawler
Easily my favorite of the three. An insightful satire about the false American values of striving for success, it is also a hugely entertaining movie. The movie is bolstered by a bristiling committed performance by Jake Gyllenhaal as a man desperately needing success who finds work as a LA gonzo reporet specializing in videotaping crime scenes. He's matched by an on fire Rene Russo as a TV news reporter. They both come blazing at each other and a fantastic scene where they match wits is so good people will be talking about it after the movie ends. A lot of the drivel Gyllenhaal's character spews reminded me of many a nighmarish conversation I had in the hallways of corporate America. It sent a shiver down my spine. Nightcrawler brilliantly succeeds at what The Wolf of Wall Street tried to do last year; provide a biting critique of some of the values that make us lose our way. And in 2 hours no less; no excess with this movie.
Wednesday, September 3, 2014
Fall Expectations Are High But Tempered
The Fall movie season is always eagerly expected because of the plethora of exciting options it usually provides. As the Toronto Film Festival unspools we think of all the movies we are eagerly expecting.
We were excited a year ago. The raves came way back in May from Cannes. I guess we'll see it.
Stephen Sondheim. Meryl Streep. Emily Blunt. Anna Kendrick. Christie Baranski. Billy Magnusson. Those songs. It would be our most anticipated but unfortunately we've seen Nine.
Starred Up. Unbroken. '71. Three major movie just might make a movie star. Two of them already seen with critical kudos, he's on his way.
The marketing has been aces. The campaign to tell us about his commitment and weight loss has already started. He's been on a roll of edgy interesting movies. We have faith.
It seems it is trying to say something profound about the way we live now. Only that something looks and sounds very obvious. Hoping for the best but our gut says it's a turkey.
We've seen it. It's fantastic. We love Benedict Cumberbatch in it. Who knew we'd ever say those words? We can't wait to see it again. Mostly we can't wait to discuss it over and over. The conversations are going to be good.
It looks like every other Denzel movie. Get that Fences adaptation going. And hire Viola Davis as your co-star.
The stellar reviews. Throwing about the "M" word. As in "masterpiece". We can't contain ourselves.
Not many movies starring women. This would've been the ultimate with some of our best actresses. As we mentioned before this might be our most anticipated movie ever.
What are you most excited about this Fall? What do you think of the movies we've mentioned? Agree? Disagree? Tell all in the comments.
Been Waiting So Long We're Kinda Over It
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| Foxcatcher |
Cautiously Optimistic Because of Source Material
![]() |
| Into the Woods |
Career That Might Jumpstart
![]() |
| Jack O'Connell in '71 |
Career Possibly Reinvigorated
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| Jake Gyllenhaal in Nightcrawler |
Suspect Because of Terrible Trailer
![]() |
| Men, Women and Children |
Suspect Because Tim Burton Has Been Lost For Years
| Big Eyes |
Maybe Amy Adams will save it. Hoping for the best.
Known Entity But Still Eagerly Awaited
![]() |
| The Imitation Game |
Meh Feel We've Seen Before
![]() |
| The Equalizer |
Most Eagerly Awaited
![]() |
| Birdman |
Wish It Was Opening This Fall
![]() |
| Carol |
What are you most excited about this Fall? What do you think of the movies we've mentioned? Agree? Disagree? Tell all in the comments.
Wednesday, July 23, 2014
Jake Gyllenhaal in Nightcrawler
Wow. The marketing for Nightcrawler (2014) is genius. Look at that poster. Fantastic. Retro, modern and enticing all the way.
And that wasn't even the first piece of marketing that we saw. This past weekend a one of kind clip of Jake Gyllenhaal in character looking all scrawny and desperate while trying to find a job, surfaced. Check it out below. "Hard Worker Seeking Employment" indeed!!
And riffing on the same theme we get the first teaser. Astonishing. Good job marketing people.
Everyone is talking Reese Witherspoon comeback this year. Rightly so with Wild and Inherent Vice coming later this year. But the biggest comeback story might be her ex, Jake. He has been steadily choosing excellent showcases for his talent the last couple of years. I loved both End of Watch (2012) and Prisoners (2013), liked Enemy (2013) but he was great in all three. Could Nightcrawler be the one that finally brings him back to bonafide stardom. Judging by this evidence it just might be. He's come a long way from Prince of Persia. We want the Brokeback Jake!!
What do you think? Tell all in the comments.
Monday, January 7, 2013
TOP TEN MOVIES of 2012
AMOUR
The most beguiling devastating film of the year. In presenting an unsentimental but moving portrait of the inevitability of life's end, Michael Haneke gave us a most necessary experience. There are so many humanly recognizable moments that had jolts go through my heart and body. This is art in the best sense moving, recognizable and a reflection of life. A masterpiece.
MAGIC MIKE
This was the most fun time at the movies in 2012. Not just for the man eye candy, but for the charming Tatum Channing, the on point choreography, Matthew McConaughey revealing his body and soul and surprising acting chops of Olivia Munn. On the other hand the movie didn't shy away from presenting the ugly underbelly of a stripper's life. In a summer full of stock super heroes Magic Mike gave us fully realized characters, and what a gift that was.
Rust And Bone
A brutal and uncompromising story that rises above the conventional trappings of "two lost souls finding each other'' up until the melodramatic happy ending. Nonetheless Cotillard and Schoenaerts set the screen ablaze with intensity and passion. Cotillard proving that La Vie En Rose was no fluke and Schoenaerts becoming a major star and an actor to watch and idolize.
MIDDLE OF NOWHERE
Previously reviewed.
ANNA KARENINA
Absolutely the most gorgeous movie of the year. It's a feast for the eyes with sets and gowns that are vivid and sumptuous. The much talked about theatrical setup works giving the story artifice that resonates and makes it wholly original. Keira Knightley, in the title role, is always best when unlikeable but here shines also when awash with desire and longing. Karenin is surprisingly sympathetic in this version and Jude Law imbues him with calm dignity and weary duty alleviating the performance to best in show.
ZERO DARK THIRTY
Controversy aside Kathryn Bigelow has given us a taut thriller that is firmly of our time. In the story of Ussama Bin Laden's hunt we get the most brilliant behind the scenes expose since All the President's Men. The movie presents the story as is, with no judgement, no rah rah triumphs and no emotional manipulation. Just thrilling filmmaking.
THE SESSIONS
A deeply moving simple story. While on the surface it's about a man's quest to lose his virginity, it is really about the need we all have to connect with other people. The movie becomes alive because of two marvellous performances. John Hawkes with wry wit and humor and Helen Hunt, smart, naked, honest give us the ultimate mating dance.
BEASTS OF THE SOUTHERN WILD
Was there a more original work than Beasts in 2012? I think not. Creating an other worldly world that is firmly rooted in both fact and fable simultaneously and characters like you've never seen before, Benh Zeitlin announced himself a major cinematic promise. He also discovered two promising acting talents in Quvenzhane Wallis and Dwight Henry.
PERKS OF BEING A WALLFLOWER
Ah teenage years. The 90s. A pixie dream girl. A rebel. A awkward introvert who you know will turn into an accomplished artist. Sounds like a collection of movie cliches. However with Stephen Chbosky adapting his own novel and Logan Lerman and Ezra Miller's beautiful performances this was a lovely rumination of growing up and making life long friends.
END OF WATCH
What could have been another routine cop movie is instead a visceral portrait of male bonding. Jake Gyllenhaal and Michael Pena are the couple of the year.Other movies I enjoyed but didn't quite crack my top ten include The Impossible, Lincoln, Bachelorette, A Royal Affair, Pitch Perfect , On the Road, Life of Pi and Looper. It was a good year for movies. What movies did you like in 2012? Tell all in the comments.
Wednesday, December 19, 2012
Oscar Bits and Pieces - Best Actor
We've talked Best Actress and Best Supporting Actor before lets now talk Best Actor, or as its known this year The Daniel Day Lewis doesn't have enough Oscars Admiration Society. I like Day Lewis, I think he's a great actor, loved him in almost every movie he made, but is it really time to reward him again? Specially since AMPAS let Meryl wait 29 years to win a third. Come on spread the wealth.
Day Lewis is great as Lincoln. It is a heartfelt, subtle performance that is commanding without demanding our attention. I don't know this for sure since I've never heard Lincoln or seen him except in photos; but I'm willing to bet he looks and sounds exactly like him. That's because I believe Day Lewis did the research and almost certainly got everything right.When I saw the movie the performance reminded me of his performance in The Age of Innocence; another subdued turn that was immensely affecting.
Can anyone beat him? For a while I thought maybe John Hawkes in The Sessions could do it. He hits all the academy's soft spots : biopic, disability, previous recent nominee. Plus he's giving a great performance in a really good movie that I thoroughly enjoyed. He could have rested on the trappings of "suffering for his art"but he added lots of humor and pathos to the performance making it a wonder to behold. Alas while he's guaranteed a nomination that movie has not struck a major chord with audiences so he's not a real threat to Day Lewis.
I was hoping Hugh Jackman would pull such a wallop of an emotional punch as Jean Valjean in Les Miserables that he'd be the one to beat. I haven't seen the movie yet so can't tell but the reviews so far are only so so for the movie. Still the movie hasn't opened yet; if it becomes a blockbuster and Jackman is all what people are talking about in January we might have a race.
Denzel Washington in Flight and Bradley Cooper in Silver Linings Playbook are the other two actors that made all the important precursors including SAG. These five seem to be now the most likely nominees. I liked Washington's performance but wasn't sold on the movie. Apart from the truly amazing crash scene I thought it was pretty mediocre. Cooper's approximation of crazy grew on me. First time I saw it I found it annoying but second time I enjoyed his chemistry with Jennifer Lawrence and the manic energy he constantly brought to his character. He has a scene where he senses that he's slipping away into his head and brings it back in refusing to succumb - that sold me on the performance.
There are 3 performances in French movies this year that knocked off my socks. With Matthias Schoenaerts in Rust and Bone I finally understood what everybody's been talking about all these years when they mentioned Brando's performance in Streetcar. He has a ferocity and immediacy of emotion that is both sexy and dangerous and announces the birth of a major movie star.Jean Louis Trintignant in Amour is amazing as well although the emotion there is more reserved but not less strong. Somehow the two are overshadowed by their female co-stars, at least in the eyes of award voters.
The third great performance from a French film is Denis Levant in Holy Motors. While I recognized the artistry and mad storytelling skills that went into making the movie, it didn't really register with me. However there is no denying that Levant gives a virtuoso performance full of audacity and perverse humor. He also inhabits several characters with complete makeovers. None of the three will find traction with Oscar.
Other names in the conversation include Jake Gyllenhaal in End of Watch ( fantastic), Richard Gere in Arbitrage (haven't seen it) and Joaquin Phoenix in The Master. At the beginning of the season Phoenix was a shoo-in and possibly the front runner; now he's on the periphery. He might still get in as the performance has its advocates. I for one hated it. It is is a big "LOOK AT ME I'M ACTING" performance. He contorts his body, throws himself around, stops and gestures before saying anything. Hey Joaquin are you competing in some thespian Olympics we don't know about? Give him all the gold medals now! The film itself is polarizing and was not embraced by audiences although most critics loved it. I was left very cold by it. There's stuff to admire - cinematography, music and production design are all top notch - but the sum doesn't add up.
Predicted Five : Bradley Cooper, Daniel Day Lewis, John Hawkes, Hugh Jackman, Denzel Washington.
![]() |
| Day Lewis |
Day Lewis is great as Lincoln. It is a heartfelt, subtle performance that is commanding without demanding our attention. I don't know this for sure since I've never heard Lincoln or seen him except in photos; but I'm willing to bet he looks and sounds exactly like him. That's because I believe Day Lewis did the research and almost certainly got everything right.When I saw the movie the performance reminded me of his performance in The Age of Innocence; another subdued turn that was immensely affecting.
Can anyone beat him? For a while I thought maybe John Hawkes in The Sessions could do it. He hits all the academy's soft spots : biopic, disability, previous recent nominee. Plus he's giving a great performance in a really good movie that I thoroughly enjoyed. He could have rested on the trappings of "suffering for his art"but he added lots of humor and pathos to the performance making it a wonder to behold. Alas while he's guaranteed a nomination that movie has not struck a major chord with audiences so he's not a real threat to Day Lewis.
![]() |
| Jackman |
I was hoping Hugh Jackman would pull such a wallop of an emotional punch as Jean Valjean in Les Miserables that he'd be the one to beat. I haven't seen the movie yet so can't tell but the reviews so far are only so so for the movie. Still the movie hasn't opened yet; if it becomes a blockbuster and Jackman is all what people are talking about in January we might have a race.
Denzel Washington in Flight and Bradley Cooper in Silver Linings Playbook are the other two actors that made all the important precursors including SAG. These five seem to be now the most likely nominees. I liked Washington's performance but wasn't sold on the movie. Apart from the truly amazing crash scene I thought it was pretty mediocre. Cooper's approximation of crazy grew on me. First time I saw it I found it annoying but second time I enjoyed his chemistry with Jennifer Lawrence and the manic energy he constantly brought to his character. He has a scene where he senses that he's slipping away into his head and brings it back in refusing to succumb - that sold me on the performance.
![]() |
| Schoenaerts |
There are 3 performances in French movies this year that knocked off my socks. With Matthias Schoenaerts in Rust and Bone I finally understood what everybody's been talking about all these years when they mentioned Brando's performance in Streetcar. He has a ferocity and immediacy of emotion that is both sexy and dangerous and announces the birth of a major movie star.Jean Louis Trintignant in Amour is amazing as well although the emotion there is more reserved but not less strong. Somehow the two are overshadowed by their female co-stars, at least in the eyes of award voters.
The third great performance from a French film is Denis Levant in Holy Motors. While I recognized the artistry and mad storytelling skills that went into making the movie, it didn't really register with me. However there is no denying that Levant gives a virtuoso performance full of audacity and perverse humor. He also inhabits several characters with complete makeovers. None of the three will find traction with Oscar.
![]() |
| Phoenix |
Other names in the conversation include Jake Gyllenhaal in End of Watch ( fantastic), Richard Gere in Arbitrage (haven't seen it) and Joaquin Phoenix in The Master. At the beginning of the season Phoenix was a shoo-in and possibly the front runner; now he's on the periphery. He might still get in as the performance has its advocates. I for one hated it. It is is a big "LOOK AT ME I'M ACTING" performance. He contorts his body, throws himself around, stops and gestures before saying anything. Hey Joaquin are you competing in some thespian Olympics we don't know about? Give him all the gold medals now! The film itself is polarizing and was not embraced by audiences although most critics loved it. I was left very cold by it. There's stuff to admire - cinematography, music and production design are all top notch - but the sum doesn't add up.
Predicted Five : Bradley Cooper, Daniel Day Lewis, John Hawkes, Hugh Jackman, Denzel Washington.
Sunday, March 8, 2009
Photos of Jake released online today
OK these look very cheesy and definitely have a porn vibe. But I can't help but be a little intrigued. Not a fan of video game movies, but I think I'm looking forward to May 2010 to watch Prince of Persia. And it's all because of Jake's hairy chiseled chest.
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