Have you seen Rust and Bone? Sex on a stick. And he's going to be in a lot of movies soon. He seems to have cornered the market on the smoldering dangerous guy that will romance the "great actress". In addition to Marion Cotillard he will be seen next year playing with Michelle Williams and Carey Mulligan. Sounds great to me!
The most beguiling devastating film of the year. In presenting an unsentimental but moving portrait of the inevitability of life's end, Michael Haneke gave us a most necessary experience. There are so many humanly recognizable moments that had jolts go through my heart and body. This is art in the best sense moving, recognizable and a reflection of life. A masterpiece.
MAGIC MIKE
This was the most fun time at the movies in 2012. Not just for the man eye candy, but for the charming Tatum Channing, the on point choreography, Matthew McConaughey revealing his body and soul and surprising acting chops of Olivia Munn. On the other hand the movie didn't shy away from presenting the ugly underbelly of a stripper's life. In a summer full of stock super heroes Magic Mike gave us fully realized characters, and what a gift that was.
Rust And Bone
A brutal and uncompromising story that rises above the conventional trappings of "two lost souls finding each other'' up until the melodramatic happy ending. Nonetheless Cotillard and Schoenaerts set the screen ablaze with intensity and passion. Cotillard proving that La Vie En Rose was no fluke and Schoenaerts becoming a major star and an actor to watch and idolize.
Absolutely the most gorgeous movie of the year. It's a feast for the eyes with sets and gowns that are vivid and sumptuous. The much talked about theatrical setup works giving the story artifice that resonates and makes it wholly original. Keira Knightley, in the title role, is always best when unlikeable but here shines also when awash with desire and longing. Karenin is surprisingly sympathetic in this version and Jude Law imbues him with calm dignity and weary duty alleviating the performance to best in show.
ZERO DARK THIRTY
Controversy aside Kathryn Bigelow has given us a taut thriller that is firmly of our time. In the story of Ussama Bin Laden's hunt we get the most brilliant behind the scenes expose since All the President's Men. The movie presents the story as is, with no judgement, no rah rah triumphs and no emotional manipulation. Just thrilling filmmaking.
THE SESSIONS
A deeply moving simple story. While on the surface it's about a man's quest to lose his virginity, it is really about the need we all have to connect with other people. The movie becomes alive because of two marvellous performances. John Hawkes with wry wit and humor and Helen Hunt, smart, naked, honest give us the ultimate mating dance.
BEASTS OF THE SOUTHERN WILD
Was there a more original work than Beasts in 2012? I think not. Creating an other worldly world that is firmly rooted in both fact and fable simultaneously and characters like you've never seen before, Benh Zeitlin announced himself a major cinematic promise. He also discovered two promising acting talents in Quvenzhane Wallis and Dwight Henry.
PERKS OF BEING A WALLFLOWER
Ah teenage years. The 90s. A pixie dream girl. A rebel. A awkward introvert who you know will turn into an accomplished artist. Sounds like a collection of movie cliches. However with Stephen Chbosky adapting his own novel and Logan Lerman and Ezra Miller's beautiful performances this was a lovely rumination of growing up and making life long friends.
END OF WATCH
What could have been another routine cop movie is instead a visceral portrait of male bonding. Jake Gyllenhaal and Michael Pena are the couple of the year.
Other movies I enjoyed but didn't quite crack my top ten include The Impossible, Lincoln, Bachelorette, A Royal Affair, Pitch Perfect , On the Road, Life of Pi and Looper. It was a good year for movies. What movies did you like in 2012? Tell all in the comments.
What makes a movie scene memorable? A recognized reflection; an image that moves you; a witty and smart line of dialogue. Sometimes you get all in one scene. Sometimes a scene encapsulates the movie or it can stand out separately and still be memorable.Sometimes it can be a performance or a piece of music that sticks in the mind. Here are few of my most memorable scenes from 2012 movies in no particular order.
MIDDLE OF NOWHERE
Setup: A mother, two daughters and a grandson sit down to have dinner. The mother tries to start a conversation. The daughters would rather not reveal anything honest. Years of resentment, avoidance, unhappiness, disappointment come crashing down.
Why: In one very economic scene the dynamics and history of this family are revealed. You understand tons about these characters. The scene reflects eloquently any family that sometimes is unable to connect.
HOLY MOTORS
Setup : It doesn't matter. There's a man, there's an accordion. Several other men with accordions appear. It becomes a parade.
Why : It's a jolting haunting beautiful scene in a movie full of very eccentric scenes. Even if you don't care much for the movie, this one sticks with you. Fanfuckingtastic!
RUST AND BONE
Setup : A woman recovering from losing her legs in a horrific accident tries to remember and heal. Katy Perry starts blaring.
Why : Because of the emotional punch Marion Cotillard throws at you. You feel it in your gut.
MAGIC MIKE
Setup : A few male strippers gather in a gym to workout. A seasoned stripper teaches the new kid a few moves.
Why : Because Matthew McConaughey looks fantastic and acts the hell out of the scene. Years of his sometimes charming, sometimes puzzling public persona has lead to this moment. He emerges a great character actor and a star for the ages.
ANNA KARENINA
Setup : A few members of the Russian aristocracy gather at the races. A horse falls down. A woman screams with concern for her lover. Her husband watches.
Why : It is unlike anything else we've seen at the movies this year. Joe Wright's choice to film the whole movie inside a theater comes to bright vivid life in this scene. He builds the tension; is Vronsky OK? What will Anna do? How will Karenin react? The visuals are sumptuous and the emotions heightened.
ZERO DARK THIRTY
Setup: Mission accomplished, time to leave the mission site. A lonely hunter boards a plane. Tears stream down her face.
Why : We don't know why Maya is crying. Is it relief? Is it sadness? Does she feel lost? Not knowing what to do next with her life? We don't know and the questions are what makes the scene moving and memorable.
THE SESSIONS
Setup : The sex therapist and her patient finish a session. As they are saying goodbye they both discover the emotional bond that grew between them. They decide to end the sessions. The therapist has a breakdown in her car.
Why : The emotional honesty of the scene. The way Helen Hunt plays it is moving and cathartic. You see all these feelings on her face as she starts crying alone in her car. She is at once happy, sad and grateful. Happy for her patient's breakthrough, sad because she will miss him in her life, grateful to have had the experience.
What were some of your most memorable scenes? Do you agree with these choices? I would love to hear from you.
We've talked Best Actress and Best Supporting Actor before lets now talk Best Actor, or as its known this year The Daniel Day Lewis doesn't have enough Oscars Admiration Society. I like Day Lewis, I think he's a great actor, loved him in almost every movie he made, but is it really time to reward him again? Specially since AMPAS let Meryl wait 29 years to win a third. Come on spread the wealth.
Day Lewis
Day Lewis is great as Lincoln. It is a heartfelt, subtle performance that is commanding without demanding our attention. I don't know this for sure since I've never heard Lincoln or seen him except in photos; but I'm willing to bet he looks and sounds exactly like him. That's because I believe Day Lewis did the research and almost certainly got everything right.When I saw the movie the performance reminded me of his performance in The Age of Innocence; another subdued turn that was immensely affecting.
Can anyone beat him? For a while I thought maybe John Hawkes in The Sessions could do it. He hits all the academy's soft spots : biopic, disability, previous recent nominee. Plus he's giving a great performance in a really good movie that I thoroughly enjoyed. He could have rested on the trappings of "suffering for his art"but he added lots of humor and pathos to the performance making it a wonder to behold. Alas while he's guaranteed a nomination that movie has not struck a major chord with audiences so he's not a real threat to Day Lewis.
Jackman
I was hoping Hugh Jackman would pull such a wallop of an emotional punch as Jean Valjean in Les Miserables that he'd be the one to beat. I haven't seen the movie yet so can't tell but the reviews so far are only so so for the movie. Still the movie hasn't opened yet; if it becomes a blockbuster and Jackman is all what people are talking about in January we might have a race.
Denzel Washington in Flight and Bradley Cooper in Silver Linings Playbook are the other two actors that made all the important precursors including SAG. These five seem to be now the most likely nominees. I liked Washington's performance but wasn't sold on the movie. Apart from the truly amazing crash scene I thought it was pretty mediocre. Cooper's approximation of crazy grew on me. First time I saw it I found it annoying but second time I enjoyed his chemistry with Jennifer Lawrence and the manic energy he constantly brought to his character. He has a scene where he senses that he's slipping away into his head and brings it back in refusing to succumb - that sold me on the performance.
Schoenaerts
There are 3 performances in French movies this year that knocked off my socks. With Matthias Schoenaerts in Rust and Bone I finally understood what everybody's been talking about all these years when they mentioned Brando's performance in Streetcar. He has a ferocity and immediacy of emotion that is both sexy and dangerous and announces the birth of a major movie star.Jean Louis Trintignant in Amour is amazing as well although the emotion there is more reserved but not less strong. Somehow the two are overshadowed by their female co-stars, at least in the eyes of award voters.
The third great performance from a French film is Denis Levant in Holy Motors. While I recognized the artistry and mad storytelling skills that went into making the movie, it didn't really register with me. However there is no denying that Levant gives a virtuoso performance full of audacity and perverse humor. He also inhabits several characters with complete makeovers. None of the three will find traction with Oscar.
Phoenix
Other names in the conversation include Jake Gyllenhaal in End of Watch ( fantastic), Richard Gere in Arbitrage (haven't seen it) and Joaquin Phoenix in The Master. At the beginning of the season Phoenix was a shoo-in and possibly the front runner; now he's on the periphery. He might still get in as the performance has its advocates. I for one hated it. It is is a big "LOOK AT ME I'M ACTING" performance. He contorts his body, throws himself around, stops and gestures before saying anything. Hey Joaquin are you competing in some thespian Olympics we don't know about? Give him all the gold medals now! The film itself is polarizing and was not embraced by audiences although most critics loved it. I was left very cold by it. There's stuff to admire - cinematography, music and production design are all top notch - but the sum doesn't add up.
Predicted Five : Bradley Cooper, Daniel Day Lewis, John Hawkes, Hugh Jackman, Denzel Washington.
The Hollywood Reporter has released its annual Actress Round table which means that Oscar season is now in full swing. I always look forward to those because Best Actress is always my favourite category. This year looks to be a strong one; there are so many good movies already released and a couple of big mega movies just around the corner.
Let's dig by each category, the major ones of course. I'll provide my take and predictions. Let's start with :
Best Actress - coming up Best Actor and Best Supporting Actor
My vote goes to Emmanuelle Riva in Amour. What a performance : heartbreaking and full of moving melancholy and surprising strength. I hope she gets nominated. Going against her is that it's a foreign language film and even people who love it acknowledge that it is a difficult movie to sit through. It deals with inevitable decay, old age and death after all. Going for her is that everyone who sees the movie comes out marvelling at the performance.
Jennifer Lawrence
The pundits world would have you believe that Jennifer Lawrence is the front runner. I don't believe it. Don't get me wrong; I think Lawrence is the best thing about Silver Linings Playbook. I wanted to see more of her character; and therein lies the problem. It's a supporting role really. The story is Bradley Cooper's and she's there as his love interest. She's much better than him but because of how little she gets to do I don't think it's an Oscar winning performance. She has the big speech in her money scene and for that she'll be nominated. However even that speech's payoff is not emotional enough in my opinion. It kick starts the plot for the last third of the movie but does not affect the characters lives in a major way. I understand that Hollywood wants to reward her for The Hunger Games, she's young, hot and a box office draw. Still can't see this performance wining Best Actress.
Jessica Chastain
I think this will be a match between Naomi Watts in The Impossible and Jessica Chastain in Zero Dark Thirty.Details of how big and central to the plot Chastain's role have just emerged. That got a lot of excitement. She has momentum from last year, not only for the nomination from The Help but for all the other movies she appeared in. Everyone acknowledges her as The Next Big Actress, set to join Meryl, Kate and Cate as a perennial Oscar nominee. Watts has lots of goodwill from her previous nomination plus she apparently gives a big emotional performance, suffers and cries a lot. Which she is fantastic at and why she was nominated for 21 Grams. A lot of people still talk about Mulholland Drive a decade after it was released, so lots of goodwill there. The problem with The Impossible is that the trailer is too manipulative, it dares you not to tear up. Is there a good movie behind that? Will people show up for suffering porn? If yes she will be unstoppable.
Marion Cotillard
Marion Cotillard is getting raves for Rust and Bone. I'll see it Friday, then I can make an informed decision. Although so far what I read seems to mixed with more praise going to her co-star Matthias Schoenaerts. There is also young Quevenzhane Wallis in Beasts of the Southern Wild. She carries that unique lyrical movie on her little shoulders and for that she wil be rewarded. Keira Knightely is very good as Anna Karenina as she has been in her last few movies. But the response to that movie has been sharply divided. I loved it, it worked for me.
Emayatzy Corinealdi
There are a few performances that are not getting much attention but are still amazing. Emayatzy Corinealdi gives a subtle piercing performance in Middle of Nowhere and announces herself as a major talent. Kirsten Dunst is all brittle edges and angry frustration in Bachelorette taking a highly unlikeable character , making her human while being very funny. And the most likeable celebrity presence on twitter, Melanie Lynskey, gives a touching performance in Hello I Must Be Going. She made me palpably feel her disappointment and then her quiet resolve and tentative hope.
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