Showing posts with label Blue Jasmine. Show all posts
Showing posts with label Blue Jasmine. Show all posts

Sunday, March 2, 2014

Final Oscar Predictions

Last predictions.... I'm hoping for a fun night and for a great speech from my favorite Cate. If she somehow doesn't win I'll be accepting condolences starting tomorrow.

Best Picture
12 Years A Slave

Best Director
Alfonso Cuaron - Gravity

Best Actress
Cate Blanchett - Blue Jasmine
Also hoping for a few choice moments from her on the red carpet like one below with Jessica Chastain at Golden Globes.

Best Actor
Matthew McConaughey - Dallas Buyers Club

Best Supporting Actress
Lupita Nyong'o - 12 Years A Slave

Best Supporting Actor
Jared Leto - Dallas Buyers Club

Best Original Screenplay
American Hustle

Best Adapted Screenplay
12 Years A Slave

Best Animated Feature
Frozen

Best Foreign Film
The Great Beauty

Best Documentary
20 Feet From Stardom

Best Production design
The Great Gatsby

Best Costume Design
The Great Gatsby

Best Cinematography
Gravity

Best Editing
Gravity

Best Makeup and Hairstyling
Dallas Buyers Club

Best Score
Gravity

Best Song
Let It Go - Frozen

Best Sound Editing
Gravity

Best Sound Mixing
Gravity

Best Animated Short
Get a Horse

Best Live Action Short
Aquel No Era Yo

Best Documentary Short
The Lady in Number 6



Wednesday, January 15, 2014

Final OSCAR Nominations Predictions


The Oscar nominations are announced tomorrow. Here are my final nominations in the top 8 categories:







Best Picture
Everyone agrees on the top 4, they have had consistent support everywhere. So had Dallas and Nebraska. Wolf surged late and it has its passionate supporters. Those are probably our nominees. Her has lots of love among critics and possibly younger AMPAS members, Blue Jasmine was embraced by actors, PGA and costumers so it is in if we go to 9. Banks is falling but it could rally if we get 10 nominees.
  • 12 Years a Slave
  • American Hustle
  • Gravity
  • Captain Phillips
  • Nebraska
  • Dallas Buyers Club
  • The Wolf of Wall Street
  • Her
  • Blue Jasmine
  • Saving Mr. Banks









Best Actor

Leo gets in instead of Redford whose fortunes have been falling since getting snubbed by SAG. The other 4 - Ejjiofor, Dern, McConaughey and Hanks - got consistent support. I'd be thrilled if Oscar Isaac surprises.


  • Bruce Dern  - Nebraska
  • Leonardo DiCaprio  - The Wolf of Wall Street
  • Chiwetel Ejiofor  - 12 Years a Slave
  • Tom Hanks - Captain Phillips
  • Matthew McConaughey  - Dallas Buyers Club






Best Actress
For the most of the season it looked like 5 previous winners - Blanchett, Streep, Dench, Bullock and Thompson would be this year's list. Then August:Osage County opened and Meryl was pretty much dissed by everyone. Maybe there is such a thing as "Meryl fatigue". Adams will benefit from that : they love her and she's in an ascending likely best picture nominee.
  • Amy Adams - American Hustle
  • Cate Blanchett  - Blue Jasmine
  • Sandra Bullock - Gravity
  • Judi Dench - Philomena
  • Emma Thompson - Saving Mr. Banks







Best Director
For the unique and beguiling world he created in Her, Spike Jonze will join the directors of the top 4 likely best picture nominees.
  • Alfonso Cuaron  - Gravity
  • Paul Greengrass  - Captain Phillips
  • Spike Jonze - Her
  • Steve McQueen - 12 Years a Slave
  • David O. Russell - American Hustle





Supporting Actor
Gandolfini will surprise. Members will slip in the disk for Enough Said and find how sublime, funny and touching it is. And they will scribble Gandolfini's name on their ballots instead of Bradley Cooper and / or Jonah Hill. Bruhl is the only bright spot in his movie and will benefit from consistent mentions throughout the season. The other 3, Leto, Fassbender, Abdi, are in likely best picture nominees and have wide support.
  • Daniel Bruhl - Rush
  • Barhad Abdi - Captain Phillips
  • Michael Fassbender - 12 Years a Slave
  • James Gandolfini - Enough Said
  • Jared Leto - Dallas Buyers Club





Supporting Actress
Similar to Adams and DiCaprio I'm relying on the surge evidenced by a BAFTA nomination to predict Hawkins. Plus her movie was embraced by PGA and usually a dominant lead performance will carry a supporting one on its coattails. It happened to Ethan Hawke in Training Day and Maggie Gyllenhaal in Crazy Heart. If Meryl can't make it I don't see how Roberts does.
  • Sally Hawkins - Blue Jasmine
  • Jennifer Lawrence - American Hustle
  • Lupita Nyong'o - 12 Years a Slave
  • June Squibb - Nebraska
  • Oprah Winfrey - Lee Daniels' The Butler






Best Original Screenplay
  • Woody Allen - Blue Jasmine
  • Joel Coen and Ethan Coen - Inside Llewyn Davis
  • Spike Jonze - Her
  • Bob Nelson - Nebraska
  • David O. Russell and Eric Singer - American Hustle




Best Adapted Screenplay
  • Julie Delpy, Ethan Hawke, Richard Linklater - Before Midnight
  • Steve Coogan and Jeff Pope - Philomena
  • Billy Ray - Captain Phillips
  • John Ridley - 12 Years a Slave
  • Terence Winter - The Wolf of Wall Street

Monday, January 6, 2014

Cate x Scorcese / Woody = Oscar

Golden Cate in the January 2014 issue of Vogue

(Post was updated to reflect the results of 2013 Oscars)


Let's talk our favorite actor, Cate Blanchett as she accepts her first award of the film year for Blue Jasmine tonight at the New York Film Critics Circle dinner.

Woody Allen and Martin Scorsese are two iconoclast directors whose movies have been seen and acclaimed for decades. They are also known for getting their actors Oscars - nominations aplenty and a few wins. However never has an actor been nominated for work with both directors. That could change this year. Woody's latest has won rave reviews and much acclaim for its leading lady, Cate Blanchett. She of course won an Oscar in 2004 for Scorsese's The Aviator.

Since its release in July everyone has been talking Oscar and Cate. If indeed she is nominated and wins as everyone expects, she will be the only Oscar crossover between the two quintessentially New York auteurs. There have been few actors who worked with both and even got nominated, but never for both directors. Actors like Juliette Lewis (Husbands and Wives and Cape Fear), Sharon Stone (Stardust Memories and Casino), Leonardo DiCaprio (Celebrity and take your pick from the last decade of Scorsese).

Let's compare all the actors who received nominations for both directors but first a few observations:

- While Woody Allen is lauded for writing parts for women and Scorsese not so much, both got the most nominations for their actors in the best supporting actress category. 8 for Scorsese and 10 for Woody. Cate is the only winner in that category for Scorsese but Woody has 4 wins including 2 for Dianne Wiest. Allen has 3 nominations for Best Actress while Scorsese has 2.  Maybe Scorsese hasn't done so bad for his women.

- It makes sense that Scorsese would get 7 lead actor nominations as his movies are usually about men while Woody gets more in supporting as his movies are mostly ensembles.

- Overall Woody got 7 actors (Keaton, Wiest, Caine, Wiest, Sorvino, Cruz and Blanchett) an Oscar and Scorsese 5 (Burstyn, De Niro, Newman, Pesci and Blanchett).
Cate as Katharine Hepburn

Martin Scorsese

Academy Award for Best Actor:
  • 1976 Robert De Niro Taxi Driver
  • 1980 Robert De Niro Raging Bull (won)
  • 1986 Paul Newman The Color of Money (won)
  • 1991 Robert De Niro Cape Fear
  • 2002 Daniel Day-Lewis Gangs of New York
  • 2004 Leonardo DiCaprio The Aviator
  • 2013 Leonardo DiCaprio The Wolf of Wall Street
Academy Award for Best Actress:
  • 1974 Ellen Burstyn Alice Doesn’t Live Here Anymore (won)
  • 1995 Sharon Stone Casino
Academy Award for Best Supporting Actor:
  • 1980 Joe Pesci Raging Bull
  • 1990 Joe Pesci Goodfellas (won)
  • 2004 Alan Alda The Aviator
  • 2006 Mark Wahlberg The Departed
  • 2013 Jonah Hill The Wolf of Wall street
Academy Award for Best Supporting Actress:
  • 1974 Diane Ladd Alice Doesn’t Live Here Anymore
  • 1976 Jodie Foster Taxi Driver
  • 1980 Cathy Moriarty Raging Bull
  • 1986 Mary Elizabeth Mastrantonio The Color of Money
  • 1990 Lorraine Bracco Goodfellas
  • 1991 Juliette Lewis Cape Fear
  • 1993 Winona Ryder The Age of Innocence
  • 2004 Cate Blanchett The Aviator (won)
Cate in Blue Jasmine

Woody Allen

Academy Award for Best Actor:
  • 1977 Woody Allen Annie Hall
  • 1999 Sean Penn Sweet and Lowdown
Academy Award for Best Actress:
  • 1977 Diane Keaton Annie Hall (won)
  • 1978 Geraldine Page Interiors
  • 2013 Cate Blanchett Blue Jasmine (won)
Academy Award for Best Supporting Actor:
  • 1986 Michael Caine Hannah and Her Sisters (won)
  • 1989 Martin Landeau Crimes and Misdemeanors
  • 1994 Chazz Palmimenteri Bullets Over Broadway
Academy Award for Best Supporting Actress:
  • 1978 Maureen Stapleton Interiors
  • 1979 Mariel Hemingway Manhattan
  • 1986 Dianne Wiest Hannah and Her Sisters (won)
  • 1991 Judy Davis Husbands and Wives
  • 1994 Dianne Wiest Bullets over Broadway (won)
  • 1994 Jennifer Tilly Bullets Over Broadway 
  • 1995 Mira Sorvino Mighty Aphrodite (won)
  • 1999 Samantha Morton Sweet and Lowdown
  • 2008 Penelope Cruz Vicky Cristina Barcelona (won)
  • 2013 Sally Hawkins Blue Jasmine

Thursday, November 14, 2013

Oscar Season Chat : Best Supporting Actress


Jose and I talk about Best Supporting Actress, as we do at this time of the year.

Oprah in The Butler
Murtada: So Jose our favorite time of the year, Awards Season is almost here. Can’t wait to see all the couture gowns but let’s start with who we think is going to be invited. I think most prognosticators agree on Oprah Winfrey (The Butler) and Lupita Nyong’o (12 Years a Slave) for best supporting actress. I loved Oprah and thought she was the best thing in her movie. She was surprisingly subtle and gave a fun flirty – dare I say it – even sexy performance. While it’s hard to suppress her larger than life persona and the baggage that brings with, I thought she was convincing as an everyday woman. She even gets a big Oscar clip moment – you know the slap heard around all the movie screens “everything you are and everything you have is because of that butler”. Lee Daniels is really a fantastic actress director – Monique, Gabby, Nicole and now Oprah, who knew?
As for Lupita a she is what everybody wants to talk about the minute her movie ends. It’s a great part – sympathetic, soulful and very touching – but her performance is fantastic too. And let’s not forget the Cinderella factor – everybody loves a newcomer who just hits it out of the park. I think she can go all the way, and if she starts winning early there is no stopping her.
So what are your thoughts on Oprah and Lupita? Who else do you think will be nominated?
Jose: Unlike the rest of the world I simply don’t get Oprah. I never got her as a celebrity and I certainly don’t get her as an actress. Other than respecting her for being a powerful woman, I don’t see what’s so special about her and I was once again scratching my head about what was so special about her in this movie. My major problem is that to me she never stopped being Oprah (it didn’t help that at one point a woman screamed “show that ratchet bitch, Oprah!” to the screen while everyone else cheered) and therefore, if everyone in the theater was thinking the same, I can’t consider it good acting. She distracted me from the story more than anything.

Lupita is perfect and there’s nothing more I can say about her without gushing.  I guess the most surprising thing about her performance is that it’s her first film! Apparently Yale trains great actors…I have never liked predicting who will be nominated, there are people who do this much better (and care more about it too) so I’ll have to plead the fifth for that one. Now if you asked me who were my favorites that would be a game I’d like even more…



Nyong'o and Woodard in 12 Years a Slave

Murtada: I like predicting so I’ll predict one more: June Squibb in Nebraska. I personally didn’t care much for the performance and found it one note. However she gets the best lines and wrings genuine hearty laughs out of them so she’s in. And another Cinderella story albeit a different one – the veteran toiling away on the sidelines for too long until she finally gets a big part.
But let’s talk favorites; we both loved Sally Hawkins in Blue Jasmine – her “curtsie” moment when introduced to Alec Baldwin is an example of a gem of a performance full of such quirky, lovely moments. She managed to be noticed against the full force of Cate’s dominating Jasmine. Lea Seydoux – sex on a stick in Blue is the Warmest Color and Alfre Woodard providing the only bit of levity in 12 Years and nailing her one scene with a funny and lived in performance. 12 Years is chock full of fantastic performances including Adepero Oduye who I thought was a bit too hysterical the first time I saw it. However by my second viewing I was impressed by the honesty she brought to her deep despair. Also Julianne Moore finally waking up from her long nap of a decade of uninspiring performances to bring heart and soul to Don Jon. Clearly JGL inspires her.
Your turn to gush about some lovely ladies……..


Jennifer Lawrence in American Hustle

Jose: I’ve yet to see Nebraska so I’ll hold my thoughts on June for now. I see your Alfre and raise you a Sarah Paulson. Her performance was absolutely chilling and she’s been on such a roll lately with Game Change and all those awful American Horror Story-s where she’s the only one worried in seeing beyond camp and delivering performances with any real human traits.
In terms of awards, I don’t think any of my favorites in anything (other than Queen Cate) will be nominated for anything this year, so indulge me as I stray from awards specific talk, into favorites of the year talk...I loved, loved, loved Kristin Scott Thomas in Only God Forgives (the scene in the restaurant!), Jennifer Garner in Dallas Buyers Club (the only one who wasn’t “ACTING!” in that movie), Amy Adams in Her, Joanna Scanlan in The Invisible Woman (weeks later I can’t stop thinking about her character), Michaela Watkins in In a World..., Vera Farmiga in The Conjuring (my go-to exorcist from now on), Janet McTeer in Hannah Arendt, Emma Watson in The Bling Ring and Octavia Spencer in Fruitvale Station (talk about someone who can do a lot with a small part) with my absolute favorite so far this year being Cameron Diaz in The Counselor.
But yeah, the number of nominees coming out of that pool will be minus all of them, except for Octavia maybe...Granted, I’ve yet to see Julia and J.Law in their movies and I’m expecting them to impress me as usual.
Murtada : I'm excited for American Hustle and August Osage County too. Although I’m more about Margo Martindale maybe finally finding a fantastic big screen role. Also Naomie Harris got a lot of raves in Toronto but I can’t say I’m looking forward to Mandela as that trailer is dullsville but I hope it leads to bigger things for her.  And how could you not mention your girl Rooney Mara in Her , her Sofia Coppola was dead on. I think it’s a great year for this category.
Any final thoughts?
Jose: I love Rooney but even I am objective sometimes. I did forget to mention how impressed I was by Eva Mendes in “The Place Beyond the Pines” though.  I can’t think of anything other than that...

Wednesday, August 14, 2013

More on Blue Jasmine

Cate, Sally and Andrew


Now that we've got how great Cate is out of the way, here are a few other thoughts on Blue Jasmine :

- The movie is zippy and fast and at just over an hour and half reaches its conclusion quickly. A definite advantage in this age of the over-long movie.

- This is a fantastic ensemble. Sally Hawkins shines brightly all earthiness and brittle edges. Andrew Dice Clay is a revelation and carries the heart of the movie, his is arguably the only "good" character. Bobby Cannavale does his usual shouty Pacino thing but then surprises in a very raw and emotional scene. Even Peter Sarsgaard does the best he can with an underwritten part.

- Yes it's n obvious riff on Streetcar Named Desire, but it's also much more. Only takes the premise and builds other layers and tell what I thought was an original story. Cate's performance is certainly different than her Blanche; more modern and on full throttle from beginning to end as opposed to the crescendo building emotional breakdown that was her Blanche.

- Question to Woody; who says "make love" in 2013? OK maybe Jasmine since she puts on airs but then Sarsgaard's character says it too. It sounds so fake.

- Also what is up with the learning the computer sub-plot? What is Jasmine exactly learning? It looks like she has a laptop and I assume she has at least used it a couple of times. So confusing Woody.

- Sally Hawkins has a very cute and endearing moment early on : she courtesies when she meets Alec Baldwin.

- Also cute Alden Ehrenreich. More of him please, Hollywood.

Alden not in character but still cute


- The scene with Jasmine babysitting her nephews at Chuck e Cheese and dolling out life lessons while sipping her wine is fantastic. It is without a doubt Cate's Oscar clip. The most quoted bit is "There's only so much trauma a person can withstand before they take to the streets and start screaming". I really like the bit where she advises them to be kind to the service industry ending with "Tip big, boys".
"Tip big, boys"
Along with Stories We Tell, Before Midnight and The Spectacular Now Cate and Woody made summer movie going bearable.

Monday, August 12, 2013

Love Letter to Cate Blanchett



Cate Blanchett is my favorite actor. I can't get enough of watching her.So you can imagine my joy when I heard that not only is she in Woody Allen's latest but in fact gives a performance for the ages and completely dominates the movie. She has been away for a long time and small parts in The Hobbit and Hanna do not count. I'm glad she's back full throttle in this and upcoming movies with Todd Haynes, David Mamet and George Clooney. She's even playing the evil stepmother in the new Cinderella and might pop up in Terrence Malick's next.

I've seen Blue Jasmine 3 times now. And each time I've watched with my jaw dropped to the floor the whole time at the beautiful and precise marvel that is Cate's performance. I couldn't have it said better myself so I am quoting Mick LaSalle's review for the San Francisco Chronicle.


"But when we're talking about "Blue Jasmine," we're really talking about Blanchett, who - and this is no exaggeration - gives one of the greatest screen performances of the past 10 years. To say that she is Oscar worthy would not do her justice, not when we remember what actually wins Oscars. Blanchett's performance is one for the books.
First of all, there's the technical precision of it. Aided immeasurably by Gretchen Davis' makeup and Suzy Benziger's costume design, she is often playing some degree of chemical impairment - the nature and degree of which are always perfectly clear.
In terms of emotion, it's best to keep in mind that Jasmine's story, though told out of sequence, has a sequence nonetheless, one inhabited by Blanchett with preternatural intuition and nuance. We see that Jasmine was weak to begin with. And later, we see the guilt, the disgrace, the pain, the self-delusion, not as emotions in sequence, but as elements ever-present and threatening to bubble to the surface, threatening the magnificent facade. The facade itself is a splendid creation, paper-thin and yet seductive, the manners and references suggestive of all the good things money can buy - and has bought.
Blanchett in "Blue Jasmine" is beyond brilliant, beyond analysis. This is jaw-dropping work, what we go to the movies hoping to see, and we do. Every few years."

It's not a review, its a love letter. I whole heartedly agree. I'll leave with the fashion girl Cate, she was a vision in Balenciaga at the New York premiere.